One of our rooms takes us into the fairytales world. The head of the bed and the front-of-wall painted will plunge the visitor into the fabulous dreamlike world of Scheherazade and her fabulous destiny.
“When the dawn was annoucing the day, Shahrâzâd had to interrupt his story…” Through her stories never ended at dawn Sheherazade manages to maintain alive against King Shâhriyâr who wanted to kill her.  Deceived by his first wife who made love with a black slave during his absence, he vowed to marry a virgin every night, to rape her and to kill her in the morning. Sheherazade will then ask his father, the Vizir, let her marry the king. She then tells her sister (or his intendante according to different versions), Dunyâzâd, to ask her to tell a story in the presence of the king. Sheherazade, never finishes her stories before daybreak, therefore she succeeds by this ruse to prevent her murder because the king was so curious and wantd to know the end of stories. After a thousand and one nights, he forgives her after she had given him a son (or three depending on the version).

This framework will follow all other stories, night by night. But Shâhriyâr and Dunyâzâd fade quickly to the point where only the name of Scheherazade is mentioned on the change of nights. The story of Scheherazade, which is the narrative context, helps to juxtapose stories that have no link between them and have grown content Nights century to century. The particularity of Nights lies in the fact that his tales are in a form known as embedded or drawer. Indeed, the reader first meets with a narrator who tells the introductory part, the story of Scheherazade. It then tells the king a story, for example “Story of the cutter”, “the hunchback”, ” the Jew”, “the Intendant and the Christian”. In this tale, where the hunchback is at the center, she tells each of the stories of Christian broker, the intendant Muslim, Jewish doctor and tailor. The tailor tells the story of a barber. The barber, meanwhile, telles  thestory of his six brothers. This method thus allows Sheherazade to enlarge the story and to remove the fatal hour.